Yong Sin’s painting practice is rooted in a sustained engagement with minimal and geometric abstraction as a site of perceptual inquiry rather than formal reduction. Working through repetition, measured variation, and restraint, Sin constructs compositions that foreground structure, scale, and temporal experience of looking. The work resists spectacle, instead emphasizing how subtle shifts in color and proportion activate space and invite embodied attention. Situated within a long-term, independent studio practice in Los Angeles, Sin’s paintings contribute to ongoing conversations around abstraction, material presence, and the politics of slowness in contemporary art.